From the makers of The Last Exorcism comes a boldly original vision of horror. What if the most chilling novel of all time was actually based on a true account of a horrific experiment gone awry? When he is suspended from his university job for his outlandish ideas, Professor John Venkenheim leads a documentary film crew to the rim of the Arctic Circle in a desperate effort to vindicate his academic reputation. His theory: Mary Shelley’s ghastly story, “Frankenstein,” is, in fact, a work of non-fiction disguised as fantasy. In the vast, frozen wilderness, Venkenheim and his team search for the legendary monster, a creature mired in mystery and drenched in blood. What they find is an unspeakable truth more terrifying than any fiction…a nightmare from which there is no waking.

Based on Mary Shelley’s novel, “Frankenstein” tells the story of Victor Frankenstein, a promising young doctor who, devastated by the death of his mother during childbirth, becomes obsessed with bringing the dead back to life. His experiments lead to the creation of a monster, which Frankenstein has put together with the remains of corpses. It’s not long before Frankenstein regrets his actions.

The Frankenstein Complex takes a historical as well as a creative perspective, with a mix of fascinating scenes behind the camera, film clips, and dozens of interviews with all the big names in the industry. In addition to the many wonderful anecdotes, the film also offers a wealth of beautiful test material, while along the way showing how the art of filmmaking has changed over the years. An affectionate ode to monster makers throughout history.

A romantic couple get more than they expected after the husband’s experiments with penis-enlargement cream go awry. Wait, this is not a porn story. Rather, it is an absurd science-fiction movie that features a curious new species, the Dickshark. In some ways this story asks the same questions that Mary Shelly did when she wrote “Frankenstein.”

An anthology film set in a brothel, Bordello Death Tales incorporates three shorts by young horror directors, linked by a sinister venue: Madame Raven’s bordello. The bloodletting begins in James Eaves’ The Ripper featuring a mild-mannered psychopath. The second story, Stitch Girl, is Al Ronald’s homage to Bride of Frankenstein. The final short is Pat Higgins’ Vice Day showing how a politician has developed a way of keeping his private life away from the prying eyes of journalists.

The story of The Empire of Corpses takes place in 19th century Europe, and revolves around John Watson. He is scouted by the government to become a secret agent- However, Watson lives in a world where “Frankensteins”- human corpses that are re-purposed with a false soul in order to use them as laborers- are used to improve industrial development.

The hero, Hyakkimaru is a wandering “demon hunter” whose extra body parts — 48 to be exact — were grafted onto his head and trunk by a herb doctor who discovered him as an infant, in a process that echoes “Frankenstein” and “The Island of Dr. Moreau.” His warlord father gave the originals to 48 demons in exchange for power. When Hyakkimaru kills a demon, he wins back a body part. He is spotted in one of these battles, with a giant spider demon, by Dororo, a scrappy female thief who is fascinated by not only Hyakkimaru’s prowess with the sword blade poking out of his arm but the new leg he grows after dicing his opponent. Is he a man — or a monster? After hearing his story from an old minstrel, she decides to join him on his travels and find out for herself.